Visit The Robbins House
June, July & August: 11-4
September, October: 11-4
(Open Fri-Sun + Columbus Day)
A recent New York Times article, “‘Sisterhood’ Felt Meaningless. So My Sisters and I Got in the Car.” details the road trip taken by three sisters to women’s history sites in search of feminism in our current political climate – ending with the story of Ellen Garrison at the Robbins House.
The Robbins House recently installed a timeline of the long Civil Rights movement listing local, state and national events. We invite visitors to let us know what current events they’d add, since our timeline ends in 2017 but will stand in front of the Robbins House for years to come. Much has happened just in the few months since the outdoor exhibit was installed. Here is a response we just received:
Emma Hodgdon, who has interned for The Robbins House for two summers now, returns to her junior year as an English major at Tufts University next week.
While visiting California last week, Robbins House president Maria Madison took time out to visit the Mountainview Cemetery in Pasadena / Altadena, where we knew Ellen Garrison was buried. Here’s what she found out…
Many people know Jayne Gordon as the Concord historian, leading tours around town, answering questions and conducting classes that focus on the town’s rich history. But as those who know her would be quick to point out, Concord historian is much too narrow a description for who she is and what she does…
Robbins House board member Jayne Gordon is talking to a crowd of about 20 people attending one of Freedom’s Way’s Hidden Treasures event at the house on May 13 when a sharp rap on the front door causes her to pause. Moments later Peter Robbins, aka Joe Zellner, strides into the room wearing a top hat and coat and carrying a long walking stick.
Until they perfect a time machine that can take you back across the centuries, Joe Zellner might be the next best thing.
As a character interpreter trained and certified by the National Association for Interpretation, Joe brings viewers and listeners back hundreds of years with an engaging, thoughtful and provocative persona that not only captures the person he’s portraying but also the time period they are living in. He can move from Peter Robbins, the son of a formerly enslaved Revolutionary War veteran; to JB Sanderson, a teacher, preacher, abolitionist, and trans-continental pioneer; and then on to Solomon Pierce, father of four and a private in the 54th MVI during the Civil War.
Joe finds out what he can about the individuals he’s impersonating as well as the historical landscape, but cautions that interpreters should avoid conjecture. “Our true selves know what happens afterward,” he says, “but the person we’re impersonating doesn’t. We have to avoid going beyond that line.”
When he’s not interpreting, Joe is a historical re-enactor with the 54th Massachusetts Volunteer Infantry, Company A, and serves as the president of the Board of Directors of that nonprofit organization.
The Company provides historical reenactment and interpretation of the regiment, as well as portrayals of selected officers and enlisted men. It also takes part in Making History on the Common, sponsored by The Friends of the Public Garden for Boston public schools, which features about 20 organizations that recreate people and occurrences that have occupied the Boston Common over the centuries – from the first Native Americans at the site, to livestock grazing on the Common, to numerous protest events.
The Glorious Fifty-Fourth
The 54th MVI was mustered and paraded from the Common in May 1863. Joe will portray Solomon Pierce of the 54th Massachusetts regiment on June 5th in Making History on the Common to tell the story of the “Glorious Fifty-Fourth.”
In 1863, the Governor of Massachusetts authorized the recruitment of an infantry regiment composed of African American enlisted men, commanded by white officers: the 54th Massachusetts Volunteer Infantry Regiment. It was the first regiment of African American soldiers to be raised in the North. They were greatly heralded for their valor in their first major engagement in the assault on Ft Wagner in Charleston Harbor, SC, July 1863. Their valiant performance in that battle changed the opinion of the Federal government about the ability and willingness of black Americans to fight for the Union and freedom. In 1897, a memorial to the 54th Massachusetts Regiment and Colonel Robert Gould Shaw was dedicated on the Boston Common and is prominently located across from the State House.
Recently, Joe portrayed Peter Robbins at the Robbins House as part of Freedom’s Way’s Hidden Treasures event, which explores “treasures” hidden in plain sight throughout 45 communities in Massachusetts during the month of May.
And when not interpreting or reenacting, how does Joe spend some of his time? Reading about people – past and present – and visiting, of course, other historical sites to hone his craft!
The Concord Historical Collaborative coordinates efforts and activities in Concord to present its rich history through diverse educational opportunities and fosters an appreciation and stewardship for Concord’s historical resources.
Many museums and historic sites are engaged in meaningful public service, often pushing us beyond our comfort zones, toward the hard stuff.
Last year I went rock climbing in Joshua Tree National Park. Trepidation hit me as I clutched the rocks like a salamander. With an expert guide yelling, “lift your butt!” and my own curiosity, I clawed my way to the top.
Trepidation hit me again at Rwanda’s Kigali Genocide Memorial (KGM) last week, where I was visiting while on a break from a work assignment. “Genocide” is defined by the 1948 United Nations Convention as “acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group.”
A dread welled up inside, asking why? Why visit this painful history? Similar to dangling on the side of a rock, no one was telling me that I had to experience pain to achieve some deeper appreciation of life.
As I entered the KGM, I was greeted by large text, “Ubuzima,” alongside statues in a circle. Ubuzima is Kinyarwandan for “life” but also means “health,” as if the two are synonymous. In fact, it seems this is the goal of today’s Rwanda with the Presidential decree to “wipe out poverty in 2017” – to transform the country to a level of cleanliness modeled after, and in partnership with, Singapore. The country presents a public face of transformation through remembrance and radical cleanliness. So “Ubuzima” seems a fitting starting point to the KGM, which hosts the annual assembly of citizens sharing their stories, regardless of which side they were on in 1994 when over 800,000 people were killed in the Rwandan genocide in 100 days.
After the greeting of Ubuzima, the journey gets more complicated. As you wind your way through the dark hallway’s “passages of history,” you begin with the stories “Before the Genocide” and “Our Rwanda,” reminders of the centuries of peace among a multiethnic population living side by side. That was before 1994….
Next the KGM exhibits focus on the impact of colonialism, the introduction of eugenics by the occupying powers, theories full of pseudoscience pitting ethnicities against each other. The result of this imposed ignorance and fracturing is captured in the remaining two-thirds of the KGM. The long, winding hallway captures the ethnic cleansing encouraged by the Belgian colonialists, followed by civil war, then the “Path to a Final Solution,” genocide and atrocities against children, women, and men, in churches, schools, and streets, and into the throngs of papyrus hideouts. Graves surround the exterior of the building. With no place to hide, millions were tortured, murdered, or worse, while the world paid scant attention. Official cables to UN Headquarters in New York asking for help went unanswered. By the end it was estimated that over two-thirds of the population of Rwanda was displaced, fleeing out of guilt, fear or confusion, or held hostage. “The Refugee Crisis,” tribunals, and societal remembrance continue today.
“I used to hear that [one of the Rwandan tribes] were the cause of the genocide. But after learning and discussing, I decided that what I had heard was not true. Now I look for my own truth.”
—Callixte, Peace Dialogue Club, Ecole Secondaire, Rwanda
The final passage at KGM, through the children’s room, states, “We will never forget these innocent lives that were taken. They died because they lacked a peaceful society in which to grow and flourish. We, who were also children then and have our own children now, must ask ourselves, ‘‘What kind of Rwanda do we want for our children?’’ Whatever we do, whatever sadness we have, whatever anger we have, we must promote peace.”
In this age of “fake news,” museums and historic places can help us find truths. What we do with that knowledge is truly an open and important question.
By Maria Madison, president and founder, The Robbins House – Concord’s African American History
Robbins House Humanities Director Elon Cook visited Baltimore’s President Street train station in costume, where Ellen Garrison defended her right to sit in the ladies’ waiting room on May 7, 1866. The Civil Rights Bill of 1866, enacted on April 9th, was the first US federal law to define citizenship and affirm that all citizens are equally protected – it was mainly intended to protect the civil rights of African Americans in the wake of the Civil War.
18 inspired art installations beckon evocatively around and beyond Fairyland Pond, at the intersection of art, nature and community in this historic natural setting.
The Concord Education Fund (CEF) granted $16,000 this past spring to a team of teachers led by Robbins House board member Johanna Glazer for curriculum development work on African American history and updating the material in the 1976 book, Concord: Its Black History. The Concord and Concord-Carlisle school systems have committed to funding the website development pieces of this project. This grant also serves as a match for educational resources for our Institute of Museums and Library Services (IMLS) grant.
Our children’s table and chairs are filled with activities for children of all ages:
Board members visited the Maryland State Archives in May and found… that Ellen Garrison Jackson’s case challenging the 1866 Civil Rights Act was dismissed. The next step is to determine why?
MD State Archives legal scholar explains that the Latin letters “ne” following Ellen and Mary’s name in the May 1866 court record suggest that Ellen and the other African American teacher were “non est” or not there/present when summoned; but we know from Ellen’s letters that she was awaiting her summons. Was the court unable to find Ellen’s address through the Freedman’s Bureau? How hard did they try? What do you think?
Scholar-in-residence John Hannigan just discovered a letter confirming that Caesar Robbins’ granddaughter Ellen Garrison purposely challenged the very first Civil Rights Act of 1866, enacted in April. In early May 1866, Ellen Garrison Jackson waited for her train in the ladies waiting room of the Baltimore train station and was “forcibly ejected.” Ellen went to the Freedman’s Bureau for support, which resulted in an arrest of the train depot officer and a court case – Ellen raised a legal suit against the train depot officer.
Ellen wrote to the Maryland Freedman’s Bureau commissioner:
I feel as though I ought to strive to maintain my rights. As long as our friends have passed a law for our protection we ought to contend for our rights and let our friends see that we appreciate their efforts in our behalf.
I remain yours most respectfully,
Mrs. E. Garrison Jackson
To learn more about Ellen Garrison Jackson and how her life in Concord began her remarkable civil rights activism, visit the new Ellen exhibit, which will go up in The Robbins House at the end of June.
The Robbins House just launched our first-ever annual report (pdf). View the PDF to see:
IMLS Convening for Museum Grants for African American History and Culture (AAHC)
Wednesday, May 25th, Washington DC
Our exciting IMLS (Institute for Museums and Library Services) grant has allowed us to hire a scholar in residence assisted by a humanities expert, create costumed reenactor programming, develop school curriculum resources, and plan to update and republish material in the 1976 book, Concord: Its Black History. This conference is an opportunity for us to share experiences with other grantees, learn from each other, and strengthen our professional network.
Robbins House board members Maria Madison and Liz Clayton, along with Humanities Director Elon Cook, will not only attend this conference, but will take a day to follow the 1860’s trail of Ellen Garrison to…
The Future of the African American Past
May 19-21, 2016, Washington DC
Robbins House president Maria Madison will attend this upcoming conference sponsored by the Smithsonian National Museum of African American History and Culture, The American History Association, The History Channel and The National Endowment for the Humanities. The second conference in 30 years, this inspiring program covers round table panel discussion on The Long Struggle for Civil Rights and Black Freedom.
During February’s Black History month, Robbins House humanities director, Elon Cook, created a temporary pop-up exhibit to help Concord Academy students reading Harriet Jacobs’ autobiographical novel Incidents in the Life of a Slave Girl connect her story to the African American experience in Concord. Like Robbins House 19th century resident Jack Garrison, Harriet Jacobs fled slavery in the South to gain her independence in the North; her book was anonymously published just before the start of the Civil War. Jacobs eventually settled in Boston and is buried in Mt. Auburn Cemetery.
The exhibit highlighted the book’s feminist lessons about self-respect, gender and racial power dynamics, and social justice. It also drew direct parallels to the writing and life of Robbins House resident, Ellen Garrison – Jack Garrison’s daughter. Ellen and Harriet likely ran in the same abolitionist, equal rights and racial justice circles in the Boston area in the early 1860s. Both women wrote eloquently about the humiliation they felt after being ejected from public transportation because of their race. And both women were determined in their demands for better treatment for themselves as “respectable persons” as well as for all people of color. The exhibit is rounded out with images that connect Harriet and Ellen to modern social justice acts and movements.
The Garrison/Jacobs pop-up exhibit was shown to the Women’s Parish Association from First Parish in Concord this week. If you’re interested in visiting the Robbins House for a private tour before our season opens Memorial Day Weekend, please contact email@example.com.
The Robbins House is supporting 11-year-old Marley Dias and her #1000blackgirlbooks project. Marley is collecting books about black girls to distribute to schools in the US and in her mother’s home country of Jamaica. She started this project because she was frustrated by being forced to read almost exclusively books about “white boys with dogs” in school. The only place she could read books about children who looked like her was at home.
What can you do?
If you would like to help, please donate a new book with a black girl as the main character. You can find children’s books that feature black female leads here: http://weneeddiversebooks.org/
Please bring your book to Sunday’s event or drop your book donation off in the Concord-Carlisle High School office with the name of Johanna Glazer, The Robbins House attached. Thank you!
For more information about Marley‘s project, visit http://www.huffingtonpost.com/
Thursday, January 14th, Robbins House Humanities Director, Elon Cook, took part in a panel discussing the best ways to ensure long-term stewardship of historic house museums.